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Yiddish

Revolution on StageIn 1992, the Guggenheim Museum collaborated with scholar Benjamin Harshav on an exhibit of Marc Chagall’s legendary set designs for the Moscow State Yiddish Art Theater, known as Goset. Harshav developed his research for that project into “The Moscow Yiddish Theater: Art on Stage in the Time of Revolution,” and indeed this book, like the best of museum exhibits, leaves the reader exhilarated, contemplative and with a new perspective on art. In addition to Harshav’s introductory essays, this work includes photographs of theatrical productions, full-color sketches of costumes and set designs, letters and writings by the artists and by contemporary critics of Goset, and scenes from plays by Sholom Aleichem, lovingly translated by Harshav and his wife and collaborator, Barbara Harshav. More than simply focusing on the history of the Moscow State Yiddish Art Theater, Harshav raises questions about the nature of art and about art’s power in revolutionary times.
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Beatle ManiaFolk singer Gerry Tenney breaks into song midway through an interview: “Ze ikh a royte tir ikh vill es farbn schvartz….”
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