Gavriel Rosenfeld

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Toward a Jewish Architecture?

By Gavriel Rosenfeld

Long regarded as one of the most influential architects of the 20th century, Louis Kahn has become the focus of renewed popular attention. The Oscar-nominated documentary film “My Architect” (directed by his son, Nathaniel Kahn, in 2003) earned applause for its gripping portrayal of the family tensions caused by Kahn’s extramarital affairs, and recent monographs by Sarah Williams Goldhagen and Carter Wiseman have earned scholarly praise for their investigations of Kahn’s architecture. Now comes Susan Solomon’s welcome new book, which takes yet a different approach to the work of one of the modern movement’s undisputed masters.Read More


Skokie Builds To Remember

By Gavriel Rosenfeld

Ever since the dedication of the United States Holocaust Memorial Museum in Washington, D.C., in 1993, America has witnessed a Holocaust museum construction boom. The Museum of Tolerance (Los Angeles, 1993), the Holocaust Museum Houston (1996), the Museum of Jewish Heritage — A Living Memorial to the Holocaust (New York City, 1997) and the Holocaust Memorial Center (suburban Detroit; 2003) are merely the most prominent examples of a new genre of architecture that has found increasing expression in a variety of American cities.Read More


The Forgotten Revolutionary

By Gavriel Rosenfeld

It’s probable that few Americans have heard of Kurt Eisner. But they currently have the opportunity to acquaint themselves with a figure whose tragic fate anticipated much of the 20th century’s political violence.Read More


A New Ruin Rising

By Gavriel Rosenfeld

Can a ruin still be called a ruin once it has been rebuilt? This is the not-so-theoretical question that visitors to Jerusalem’s Jewish quarter may be asking after strolling by the construction site where the preserved remains of the Hurva (Ruin) synagogue used to stand.Read More


The Appeal of Alternate History

By Gavriel Rosenfeld

Few subgenres of literature have been subjected to such longstanding critical scorn as alternate history. Despite the occasional publication of such masterpieces as Philip K. Dick’s 1962 novel, “The Man in the High Castle,” the more frequent appearance of duds like Newt Gingrich and William Forstchen’s much-maligned 1995 novel, “1945,” has reinforced alternate history’s reputation as the domain of armchair historians and literary hacks.Read More



 

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