By Elissa Strauss
About a month after her father passed away in 2006, Linda Cohen awoke in the middle of the night with an idea.
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By Elissa Strauss
In 1898, Etta Cone was given $300 by her brother, Moses, to buy something nice for their Baltimore family home. Their father had just died, and Moses was hoping that a new piece of furniture or some nice table linens would cheer everyone up. Etta, 38 at the time, returned with five paintings by the American Impressionist Theodore Robinson, whose work, along with the Impressionists in general, was mostly unknown and unappreciated in the United States.
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By Elissa Strauss
At the end of their workshop about women in the Holocaust at Yad Vashem in 2006, scholars Sonja Hedgepeth and Rochelle Saidel encountered some dissent. The presentation, “Beyond Anne Frank: Teaching About Women and the Holocaust,” looked at the ways in which women experienced the Holocaust differently than men did, and included a discussion on sexual violence at Ravensbrük
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By Elissa Strauss
Nearly a decade ago, when the Kadima Reconstructionist Community, in Seattle, was looking for a Torah to purchase for its congregation, it decided to have one written by a woman.
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By Elissa Strauss
Are women-only spaces sexist, or are they progressive? In the cultural and political world, even in schools and religious institutions, the debate has grown over the past few years. Do venues such as art shows, magazines and blogs provide a much needed opportunity for women to communally examine their roles and identities in larger society? Or are they just ghettos for women’s issues, isolating them from the mainstream?
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