By Alexander Gelfand
A tough room, lousy sound and half a band. Given the poor hand she was dealt, it’s a testament to Alicia Jo Rabins’s onstage appeal that she came across as well as she did at a showcase for emerging Jewish performers presented June 17 at the Museum of Jewish Heritage — A Living Memorial to the Holocaust.
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By Alexander Gelfand
Analogies between music and language abound. Sometimes we liken music to a universal language that is able to transcend ordinary linguistic and cultural boundaries. Sometimes we talk about its innumerable local dialects, the genres and styles that mingle and give rise to yet more idiosyncratic forms.
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By Alexander Gelfand
Listening to “Her First Dance,” pianist Misha Alperin’s latest recording for the ECM label, I was reminded of an old story about the late jazz trombonist Vic Dickenson.
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By Alexander Gelfand
A series of happy accidents. That, in a nutshell, is how 32-year-old saxophonist and scholar Evan Rapport describes the arc of his career — a career that began in the nightclubs of Maryland and ultimately carried him to the Bukharian Jewish enclaves of New York City.Read More
By Alexander Gelfand
Though you’d never guess it by looking at my pale Canadian Jewish face, I was once an African drummer.
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